Press
Interview
On a recent Friday night, passionate rebellious screams, high-energy drumming and raw guitar riffs echoed outside of O’Shaughnessy’s Pub in Alexandria. It was the bar’s Band Nite, themed “Punk in the Alley,” and inside the small, intimate space — where the stage practically merged with the floor — local DC rock band RenRiot delivered a high-octane performance. The Black queer trio consists of vocalist and guitarist Ren (she/her, 26), drummer Solana (they/them, 26), and bassist Dre (she/her, 32).
To get a good sense of the band’s energy: The crowd was already hyped just from their warmup. Once the actual set began, RenRiot moved seamlessly between dreamy, ethereal songs and angsty, hardcore tracks. They commanded the stage with ease, interacting with the crowd between songs, stepping into the audience mid-performance, openly voicing their thoughts on fascism and the Trump administration, and sparking a mosh pit. All of those signs point to a band that knows how to put on one hell of a show.
Expect similar vibes on Jan. 16 when they’ll perform on a triple bill at Pie Shop on H Street NE. The same infectious spirit is also going into their ongoing work on a debut album after the release of their demo EP called Momentum last August.
Whether on stage or in the studio, RenRiot embodies the truth that punk — and rock as a whole — is far from dead in DC, especially among Black bands. That said, the scene remains limited, with far fewer intersectional rock groups than one might hope.
Thankfully, RenRiot is contributing to a Black queer rock and alternative band revival by taking up space — and creating it — for musicians like them to shine in the area. To learn more about the band’s origins, its members and their take on DC’s rock landscape, we reached out for a Q&A via email. The following has been edited for clarity and readability.
Could you briefly explain the origin story of RenRiot and how the band formed?
RenRiot was originally my [Ren’s] solo project. In December 2024, I released To Feel Like I Exist under my name but it felt entirely too personal. I felt like I had something to say, but solo didn’t feel like the way. In March 2025, I had a birthday showcase where I performed a few of my originals that I had written over the past few months, accompanied by my friends Myia [who performs as Myia Aura] and Dez [who performs as Willowtree]. It was at this event that I was encouraged to continue sharing these songs, which drove me to reach out to friends that I used to jam with in 2023 and ultimately brought me, Solana, and Dre together to form the band RenRiot.
How long have the members known each other?
About two years.
What is the meaning behind the name “RenRiot,” and how did it come about?
RenRiot was originally Ren’s solo stage name. Ren’s last name is Wright so RenRiot was a play on her own name. Since then it’s just stuck.
What is the band’s overall mission or goal?
RenRiot’s overall goal is to be a reminder of the beauty of intersectionality. It is so rare to see folks that look like us in the rock scene. But the fact is that if three of us can come together to form this band in a place as small as DC, there are so many people just like us in the world who can do the same thing. Blackness, queerness, alternative culture, and womanhood are often segregated experiences and it’s important to us to remind people that all of these identities can live within individuals and so much beauty can come from it.
What drew you to creating music within the punk/grunge/alternative rock genres?
This genre is something that we are all passionate about and grew up on. This music is a big part of all of our lives, and it feels very natural for us to create it.
What does a typical rehearsal look like?
Our rehearsals are 50% focused, 50% fun. There is never a rehearsal where somebody isn’t bursting into laughter about something somebody else said or did. However, we spend a lot of time rehearsing our sets, refining our music, or developing new songs.
What’s your favorite song to perform live as a group?
Our newest song, April Mourning, is our favorite to perform live! It truly allows all of us the opportunity to let loose.
Do you have a favorite venue in DC that you’ve performed at so far?
Pie Shop is an elite venue! Incredible green room, spectacular pie, and great community. We’re excited to head back there in January with Mac N’ Toss and Petrichor.
What inspired RenRiot’s demo EP Momentum?
Momentum is an amalgamation of my [Ren’s] experiences in my mid-20s. It tells the story of my inner thoughts and outer world. Music has always been my audio journal, and the demo EP is just that.
What projects are you currently working on?
Right now we are really brainstorming how to arrange our debut album. The initial idea of Momentum was meant to be a consecutive story of Ren’s experiences, but so much musical evolution and life experiences have happened since Momentum was originally created that a lot of those songs no longer make sense for RenRiot the band. We are so lucky to have people who are willing to listen to our stories and engage with our music and we want to honor that and tell these stories the right way.
How would you describe the current rock scene in DC? Is there anything you feel is missing compared to other regions?
We are all from the mid-Atlantic region and are still new to the scene, so we recognize that we may have blind spots. But from our view, DC lacks a true DIY feel for the rock scene at times. The house venues are incredible, but in general the community spaces are not super accessible. For example, The Garage is truly an iconic spot as it’s a reminder of how things used to be but it is notably not close to DC nor accessible without a car. Additionally, it feels like there isn’t enough room for community-curated opportunities, which is more of a reflection of the city than the scene maybe. Growing up I remember hearing at school that everyone was going to meet in the woods or at a skatepark to hear some local bands. Now everything feels more curated and venue-specific with noise ordinances, social media, service fees on tickets, and old music spots shutting down.
What has your experience been like finding opportunities to perform in the DC area? Do you find it challenging or relatively easy, and why?
Finding opportunities to perform in the DC area has been relatively easy for us as we are often invited to support or play shows so the booking is not often on us. However, it is noteworthy that we intentionally engage with the local music scene so it feels a bit easier to end up on bills and book shows. We also come into bookings with a plan and the humility to be realistic about what we can bring to the table — which is good music and vibes.
Do you feel the DC rock scene is inclusive, or do you think there’s still progress to be
made?
The DC rock scene is not as inclusive as it wants to believe it is and that’s OK because we’re here to support. There feels like a significant lack of intersectionality between race, gender, sexual orientation, age, etc. DC in general feels segregated in a lot of ways, though, so it is not surprising that this would bleed into the DC rock scene. Even being a queer band, we have felt some distance from other queer folks because we’re Black. To be clear, we’re not describing any sort of intentional isolation because some of the onus also falls on us; it’s more so the phenomenon of walking into a space and no one (besides other Black queer folks) makes an effort to speak with us — in the same way that a server subconsciously hands the man at the table the check.
Do you think there is a substantial amount of diversity among local DC bands?
We are often the only Black people on the bill.
Who or what are some of the band’s biggest musical influences?
Paramore, Flyleaf, Balance and Composure, Rage Against the Machine, and Chevelle.
What do you hope to see evolve within the DC rock scene in the future?
We hope to see more intersectionality. We believe this can happen through intentional action, which involves us becoming more visible and continuing to show up and uplift the scene. Also, DC has a habit of putting out its own genre of music across the decades, and it would be really exciting to see a new DC sound break out!
Are there any upcoming performances readers should mark their calendars for next year?
We’re super excited for our upcoming show at Quarry House Tavern on Feb. 7!
This will be a release show, and we can’t wait to share the space with our community. Check our Instagram @renriot.wav, TikTok @renriotband, or BandsInTown @RenRiot for details.
by Rasheeda Campbell
Track Review
Press Release
For Immediate ReleaseAvailable February 6th, 2026 on All Streaming Platforms
Washington, DC – DC-based alt-rock trio RenRiot are set to make their mark with their highly anticipated debut single, ‘Anatomy of a Flower’, dropping Friday, February 6th, 2026, across all streaming platforms. With an ambient build up into their established nostalgic alt-rock sound at the chorus, ‘Anatomy of a Flower’ delivers a full body experience from the resonant guitar to the catchy chorus.
“Anatomy of a Flower” serves as a defining statement for RenRiot, marking the first release fully written and composed by the band as a collective rather than by frontperson Ren Wright alone. “A majority of the lyrics were written by Solana (Drums) years ago as a rap,” says Wright. “Transforming that work into this song is such a clear reflection of what we can create together.This is also why it felt really important to let Solana’s drumming shine here as this song truly wouldn’t exist without them.”
Recorded at Stages Music Arts by award-winning sound engineer, Evan Kornblum (Dru Hill, Mýa, Ice Cube), ‘Anatomy of a Flower’ showcases the genre-bending side of the band, contrasting their typically grungier sound. Kornblum also appears on the track, contributing a portion of the second guitar part during the second chorus. RenRiot has made their debut in the DC rock scene with their high-energy gigs and their unapologetic presence as black, queer rock-lovers. With “Anatomy of a Flower,” the band offers a raw yet expansive introduction that is expected to resonate deeply with fans of emo and alt-rock alike.
Track Details:
Single Title: ‘Anatomy of a Flower’
Release Date: February 6, 2026
Listen on: Bandcamp, Spotify, Apple Music, RenRiot.noiseyard.com
Produced by: RenRiot and Evan Kornblum at Stages Music Arts
Mastered by: Jimi Studios
About RenRiot:
Formed in the 2025 summer, RenRiot are a three-piece black, queer alt-rock/soft-gruge band based in Washington, DC. Known for their explosive live shows and relentless DIY ethos, they’re making noise on the underground scene unique look, stage presence, and high-energy performances. RenRiot blend heavy overdrive, punchy drums, and vocals that showcase where the band has been and where they are going.
RenRiot’s Demo EP “Momentum” is streaming on all platforms as well.
Contact:
For press inquiries, interviews, or review requests, please contact:
Email: booking@renriot.wavInstagram: @renriot.wav
Tiktok: @renriotband
Bandcamp: https://renriot.bandcamp.com
Spotify: RenRiot
Website: renriot.noiseyard.com
Gig Review
Where Bands Play Loud, Fans Connect, and Community Thrives
As the sun eased below the treeline at Honey Acres Farm, the chatter of friends accompanied by soft ‘neighs’ from horses in the distance served as the introduction for the evening. There’s something in particular that stands out about the property, though, and it isn’t just the assortment of animals: it’s The Garage, a sticker-covered, traffic sign-donned, one-of-a-kind music venue. Inside, a makeshift soundbooth sits in the back, a shopping cart lingers near the pit, and the walls are plastered with mementos of previous performing bands, ranging from tags to stickers– each one a timestamp in local music history.
I am no stranger to The Garage, as it serves as a hub for the DIY scene; a safe haven for artists and listeners alike to connect within an intimate setting. The feeling of inclusivity was palpable as I entered the venue, greeted by owners Levi and Grace. While speaking, one of the topics was how crucial it is to support the local scene and the importance of doing so. This goal was clearly met for the evening, as a lineup featuring RenRiot, Local Orange, Toro, and Sophie’s Body made up the bill. While each band differs in sound, one characteristic remains the same: each has the heart of DIY.
More Than a New Band, They’re the Heartbeat of the Night
The night opened with RenRiot, a D.C. band formed in 2024. As soon as they kicked off with their demo, “Roomination,” the energy was set in motion– fast, loud, and gritty. Their sound instantly brought to mind bands such as Paramore, Balance and Composure, or Title Fight’s Hyperview era, with the blending of emotional vocals and guitars. By the end of their set, I knew RenRiot would become part of my daily rotation.
The drummer punctuated each song with precision, while the guitars reverberated off the metal walls. Lead singer Ren moved energetically while playing guitar, the movements reflecting the raw intensity of the music.
Nearing the end of the set, RenRiot invited the crowd into a sing-along, chanting, “and I must confess, I think I’m obsessed.” Then closed with a cover of Pierce the Veil’s “Besitos,” highlighting Ren’s angelic yet powerful voice, leaving the audience in awe.
by Eden Ware
